Leica M2
The camera
The Leica M2 is a 35mm rangefinder camera made by Ernst Leitz of Wetzlar, Germany, and introduced in 1957. Around 82,000 M2s were produced between 1957 and 1968. It came after the Leica M3, and many consider it more aesthetically pleasing. It was certainly a more affordable version of its predecessor.
Len’s Leica
This M2 has a story of its own. It belonged to Len, the late father-in-law of my friend Kieran. I met Len when he was visiting Kieran and his wife Julia, and we got talking about photography. He told me he had an old Leica, and the next time he came to visit his daughter’s family, he brought the camera with him to show me. When Len passed away, Julia kept the camera from his estate and has kindly loaned it to me long term. There’s still a roll of film in it that needs finishing off and developing.
My kit
I have three lenses with my kit: the Leica 35mm Summicron-M f/2, the Leica 90mm Elmarit-M f/2.8, and the Leica Elmarit-M 135mm f/2.8, which is a ‘goggle lens’, as the M2 only has 35mm, 50mm and 90mm frame lines, which are selected when you mount the appropriate lens. What is notable about this camera is what it doesn’t have. There is no internal light metering and no automation. It has one shooting mode, and that’s manual.
Shooting with the sunny 16 rule
Shooting the Leica M2 requires some basic knowledge of exposure. Personally, I use the sunny 16 rule when shooting film. In basic terms, on a bright sunny day, if the shutter speed and film speed are the same, set the aperture to f/16 and you will get a balanced exposure.
As a rule of thumb, if the sun goes behind a cloud, depending on the density of the cloud, you should open up the aperture to f/11 or f/8, or alternatively make the shutter speed slower to let more light in. I spent the day in London walking around shooting on 400 ASA film at about f/8 and 1/1000 sec. As every shot counts (and costs) when shooting film, I also use a small, free light metering app on my phone to check my estimations before releasing the shutter.
Rekindling childhood memories
Shooting the Leica M2 rekindled some childhood memories of shooting film: the excitement of not knowing the results immediately, and having to wait for the lab to get your prints and neg scans back. That anticipation for the results was awesome, and I was certainly pleased with what I captured.